Edward Scissorhands – Review – Bradford Alhambra Theatre
By Christine Goode, April 2024
Something magical is in the air at Bradford Alhambra Theatre as Matthews Bourne’s adaptation of Edward Scissorhands is performed by his New Adventures company. Bourne’s works are renowned for their innovative and emotive approach to storytelling through dance – and this production was no exception.
As we enter the auditorium there’s a palpable chill; a storm is on its way. As we near curtain-up bolts of lightning strike throughout the auditorium setting the cold icy theme for the much-loved tale to begin.
Most people will be familiar with Tim Burton’s film version from 1990, written by Caroline Thompson, and starring Johnny Depp. It’s a Gothic tale about a boy with hands for scissors, brought to life by an inventor.
With a nod to Frankenstein and Pinoccchio, we follow Edward on his journey as he befriends Peg Boggs, who welcomes him into her suburban home, where he eventually falls in love with her daughter Kim.
“Constantly evolving”
Edward struggles to fit in with suburban life, being unlike the other kids who taunt him, and he feels left out. He cannot do everyday tasks, and at first everything he touches either become torn or shredded.
However, things turn around for Edward as he realises he has a unique skill for sculpting, starting with hedges to hairdos and eventually the famous ice sculpture of his sweetheart Kim.
Matthew Bourne originally converted this gothic fable back in 2005, and its last major revival was in 2014. Bourne is always aware of current changes in society and is constantly evolving his productions to acknowledge this, and here a few changes have been made, such as the same sex family the Gaibrights, who add an extra layer of contemporary relevance.
Stephen Murray is superb as Edward, and gives an endearing performance, his chemistry with Kim Boggs (Ashley Shaws) is captivating, especially in one extraordinary dream scene where they are dancing in the topiary trees.
Joyce Monroe played by Nicole Kabera is brilliant as the sassy maneater who is married to her long-suffering husband George Monroe, played by the hilarious James Lovell. Indeed, the entire cast are wonderful, many doubling up on characters with many quick changes throughout.
“Magical spectacular”
Choreography by Sir Mattherw Bourne is superb, from the slow beautiful duets to the big bright jazzy full ensemble numbers reminiscent of an old Hollywood movie, a contemporary dance adaption encapsulating various styles of dance and fashions of the era.
Lez Brotherston works his magic on costume and set design, with huge sets seamlessly changing quickly, and bright colourful fun costumes fitting the piece perfectly, a favourite being the topiary trees. Lighting and projection design by Howard Harrison and Duncan McClean are stunning, adding depth to the production. Overall, the production is a huge magical spectacular, with superb dance and acting, fabulous costumes and scenery, along with exceptional lighting.
The cast take their final bows to a standing ovation, the lights go up and there are many happy faces, the likes of which are regularly seen when attending a Matthew Bourne production (if you know, you know!).
If you have never seen one of his productions this would be a great place to start – Edward Scissorhands has something for everyone – and I for one will be heading off to see it again!
Edward Scissorhands is at Bradford Alhambra until Saturday 13th April
images: Johan Persson
