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Hamlet – Review – Shakespeare’s Rose Theatre, York
By Ela Portnoy, July 2019 Sometimes audiences like plays for surprising and unforeseen reasons – and that is the case ... -
Amélie The Musical – Review – Bradford Alhambra Theatre
By Richard Mansfield, July 2019 At a time when musicals of films, tributes to bands and the celebration of genres ... -
Introducing: Before Breakfast
Sheffield 4-piece telling female-forward stories inside strong melodies with a delicate, accomplished sound… YOUR NAMES: Gina Walters, Lucy Revis, Debra ... -
My Midsummer Morning by Alastair Humphreys – Review
By Ryan Madin In 1935 a young Laurie Lee left the familiarity of his Cotswolds village and set out on ... -
Nightfall (1956) – Film Review
Director: Jacques Tourneur Cast: Aldo Ray, Anne Bancroft, Brian Keith Certificate: 12 by Sarah Morgan Why is it that some ... -
Blue Black Permanent (1992) – Film Review
Director: Margaret Tait Cast: Celia Imrie, Jack Shepherd, Gerda Stevenson Certificate: PG by Sarah Morgan Some people peak early, while ... -
The Platform Edge, edited by Mike Ashley – Review
By David Schuster Why do we have such an enduring fascination with the mysteries of train travel? What is it ... -
People on a Sunday (1930) – Film Review
by Sarah Morgan We tend to think of Germany in the decade prior to the Second World War as a ... -
Cliff Richard – Live Review – Scarborough Open Air Theatre
By @Steve Crabtree, June 2019 If you’ve been here before you might know how much I love visiting Scarborough Open ... -
Introducing: Glass Mountain
On new Yorkshire label The Boy Who Left Home to Learn Fear Records, a Hockney-inspired ‘beautiful noise’ from Bradford… YOUR ... -
The Times on Cinema – Review
By James Robinson It’s incredible that there aren’t more books like this, considering the wealth of film coverage that appears ... -
Swinging at the Cotton Club – Review – Hull Truck Theatre
By Karl Hornsey, June 2019 As a musical genre, swing band old-school jazz is in danger of being squeezed out ...