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To Kill a Mockingbird – Review – Sheffield Lyceum Theatre
By Clare Jenkins, January 2026 If ever we needed reminding that history has a depressing habit of repeating itself, Aaron ... -
Top Hat – Review – Sheffield Lyceum
By Clare Jenkins, January 2026 There may be trouble ahead (there already is – don’t you read the news? Ed), ... -
Aladdin – Review – Sheffield Lyceum
By Clare Jenkins, December 2025 Abracadabra! Here we are again in the Mad-as-a-Hatter (but what hats! What hairstyles!!) world of ... -
A Christmas Carol – Review – Crucible Theatre, Sheffield
By Clare Jenkins, December 2025 Christmas just wouldn’t be Christmas without mince pies, mulled wine, lighted-up windows, hangovers, It’s a ... -
Roshni – Review – Sheffield Crucible Playhouse
By Clare Jenkins, November 2025 Outside Sheffield’s Crucible Playhouse, the November night is dark, wet and cold. Inside, though, all ... -
Merlin [Northern Ballet] – Review – Sheffield Lyceum
By Clare Jenkins, November 2025 All that glitters may not be gold, but choreographer Drew McOnie’s 2021 production about the ... -
Inspector Morse: House of Ghosts – Review – Sheffield Lyceum Theatre
By Clare Jenkins, October 2025 It’s 25 years since the last episode of Inspector Morse was filmed for TV. Just ... -
Dear England – Review – Sheffield Lyceum
By Clare Jenkins, October 2025 It’s four years since Gareth Southgate wrote his unexpected ‘Dear England’ letter to the country ... -
Gwenda’s Garage – Review – Sheffield Playhouse
By Clare Jenkins, October 2025 An infamous 1979 Fiat car advert had as its slogan ‘If it were a woman, ... -
Consumed – Review – Sheffield Playhouse
By Clare Jenkins, September 2025 Karis Kelly’s hit Edinburgh Fringe play Consumed gives a whole other, darker meaning to kitchen ... -
Matthew Bourne’s The Midnight Bell – Review – Sheffield Lyceum
By Clare Jenkins, September 2025 A Soho pub in the 1930s. Outside, the fog swirls as an exotically dressed prostitute ... -
Dancing at Lughnasa – Review – Sheffield Crucible Theatre
By Clare Jenkins, September 2025 Elizabeth Newman’s debut production as the new artistic director of Sheffield Theatres isn’t barnstorming, rule-breaking ...
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