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The Entity (1982) – Film Review
Director: Sydney Furie Cast: Barbara Hershey, Ron Silver, George Cole Certificate: 18 By Sarah Morgan When Martin Scorsese describes something as ... -
Neruda (2016) – Film Review
Director: Pablo Larrain Cast: Gael García Bernal, Luis Gnecco, Mercedes Morán Certificate: 15 By Roger Crow Acclaimed film maker Pablo ... -
Harmonium (2016) – Film Review
Director: Koji Fukuda Cast: Mariko Tsutsui, Tadanobu Asano, Kanji Furutachi Certificate: 12A By Jethro Pope Koji Fukada’s Harmonium is a slow ... -
Ricky Gervais – Live Review – Sheffield City Hall
By Richard Jones, April 2017 Ricky Gervais has come a long long way since his slot as a regular reporter ... -
An Interview with Ian Ogilvy
By Roger Crow Actor and author Ian Ogilvy became a household name in TV show Return of the Saint in ... -
Life (2017) – Film Review
Director: Daniel Espinosa Cast: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds Certificate: 15 By Roger Crow “Mr Crow. Your chosen specialist ... -
I Am Michael (2015) – Film Review
Director: Justin Kelly Cast: James Franco, Zachary Quinto, Daryl Hannah Certificate: 15 By Sarah Morgan It’s one of the most ... -
Ghost in the Shell (2017) – Film Review
Director: Rupert Sanders Cast: Scarlett Johansson, Juliette Binoche, Takeshi Kitano Certificate: PG By Roger Crow In the mid-1990s, I was ... -
Mad to be Normal (2017) – Film Review
Director: Robert Mullan Cast: David Tennant, Elisabeth Moss, Gabriel Byrne Certificate: 15 By Roger Crow It’s a curious experience watching ... -
Mirrors by Cattle and Cane – Album Review
by Matt Callard Cattle and Cane should take heed: Naming yourself after another band’s seminal song offers a low percentage return. Ladytron? ... -
An Interview with Dave Spikey
Comedian Dave Spikey is celebrating 30-years in comedy with a new nationwide tour called ‘Juggling on a Motorbike’. We speak ... -
The Eyes of My Mother (2016) – Film Review
Director: Nicolas Pesce Cast: Kika Magalhaes, Will Brill, Flora Diaz Certificate: 15 by Rachael Popow There’s a reason why art-house ...
