Little Women – Review – York Theatre Royal
By Kirsty Reid, September 2024
“Christmas won’t be Christmas without any presents,” declares Jo March at the start of Little Women.
Hearing those words transported me right back to my childhood bedroom, curled up with Louisa May Alcott’s literary classic, eagerly turning the pages as I followed the adventures of the March sisters.
For those unfamiliar with the story, Alcott’s coming-of-age tale is based on the lives of four sisters – Jo, Meg, Beth, and Amy – amidst the backdrop of the American Civil War. It’s a celebration of sisterhood, individuality, and personal growth.
Any recreation of this beloved 19th-century tale faces the daunting task of doing it justice. But Anne-Marie Casey achieves this with ease. Casey’s affectionate adaptation balances heartfelt family dynamics with feminist undertones, giving the story a modern resonance.
Laura Soper and Freya Parks
“Such chemistry”
Elaborate décor and grand stage designs are absent here. Instead, a minimalist stage is home to a few simple props – a writing desk for Jo, a piano for Beth, and a table with chairs for family gatherings. Ruari Murchison’s simple staging ensures seamless scene transitions, keeping the focus on the characters’ relationships and journeys.
Jane Lalljee’s lighting design plays a key role in setting the mood and tone throughout the play. Warm lighting is particularly notable in scenes at the March home, creating an inviting atmosphere and reflecting the close-knit relationship of the family.
The clever use of lighting and sound effects perfectly captures the moment Amy falls through the ice while skating, immersing the audience in the experience.
The March sisters are brought to life with such chemistry, it’s easy to forget you’re watching actors.
Jo, played by Freya Parks, is the heart and soul of this production. Full of humour and artistic intellect, her performance oozes authenticity. Her portrayal of Jo’s journey from headstrong girl to young woman grappling with her ambitions and relationships is brilliant.
Helen Chong and Nikhil Singh Rai
“Sharp and funny”
Parks brings energy to every scene she features in, especially during her fiery (and occasionally hilarious) debates with Laurie (Nikhil Singh Rai), whose boyish charm and
Though Parks is the leading lady here, Helen Chong is a close second with her fiery take on Amy. Delightfully sharp and funny, Chong’s layered performance sees Amy transition from bratty younger sibling to mature and self-aware young lady.
Meg, the more conventional sister, is elegantly portrayed by Ainy Medina. As the eldest sister, she embodies a sense of responsibility while yearning for a traditional life. Medina’s performance highlights Meg’s quiet strength and domestic dreams.
Laura Sopher perfectly captures Beth’s fragility and gentle demeanour. So much so, the audience can feel the weight of her sacrifices. The sorrow of the March family after Beth’s passing is bound to bring tears to even the most stoic theatre-goer.
Ainy Medina, Laura Soper, Freya Parks and Helen Chong
“Refreshingly modern”
Rounding out the cast are several standout performances from supporting characters. Aunt March (Caroline Gruber) is a scene-stealer, delivering biting one-liners that had the audience howling at times.
Jack Ashton excels in dual roles, impressing with his strong German accent as Professor Bhaer and offering a refined performance as the gentlemanly John Brooke
Kate Hampson brings warmth and wisdom to the role of Marmee, grounding the production with a portrayal that’s both nurturing and refreshingly modern.
Though over 150 years old, the struggles and triumphs of the March sisters are just as relatable today as they were in Louisa May Alcott’s time. Casey’s interpretation is fresh and modern, while staying faithful to the original. It’s a performance not to be missed.
‘Little Women’ is at York Theatre Royal until 12th October
