Thought and Observations by The Coronas – Album Review

By Ellie Victor
The Coronas, one of Ireland’s most beloved bands, continue their streak of success with their eighth studio album, Thoughts and Observations. Despite their immense popularity in Ireland, including four consecutive number-one albums, the band remains relatively under the radar outside their homeland. This record might just change that, showcasing their knack for heartfelt, finely crafted songs and thoughtful lyricism.
The album opens with “Speak Up,” a slow-burner that hints at the band’s maturity and reflective tone. While its atmospheric build-up grows on the listener with time, it’s a curious choice for an opener. With its restrained energy, the track feels more like a bridge into the album’s heart than the gateway itself—a piece better suited to closing the first side of the record rather than setting the stage.
Things quickly shift gears with “If You’re Going,” an upbeat and urgent number driven by a memorable keyboard riff. Its catchy melody and heartfelt apology in the lyrics set the tone for much of what follows: introspection wrapped in accessible pop-rock sensibilities.
“Stirring”
“Confirmation” is one of the album’s emotional high points. A tender ballad, it sees frontman Danny O’Reilly at his most vulnerable. With evocative lyrics reflecting on a simple yet poignant moment in a Starbucks, the song captures the beauty in everyday observations. O’Reilly’s nuanced delivery, coupled with a delicate arrangement, echoes Glen Hansard at his most stripped-back.
Another standout is “That’s Exactly What Love Is,” a stirring duet with Gabrielle Aplin. Her ethereal vocals blend well with O’Reilly’s, creating a bittersweet exploration of love’s complexities. The lush harmonies and understated instrumentation make this track a genuine heartstring tugger.
Elsewhere, “Ghosting” channels early Coldplay, its shimmering guitars and soaring crescendos exuding a sense of melancholic euphoria. “At Least She’s Laughing” edges towards a Mumford and Sons-style epic, with a vibrant arrangement that includes brass and bustling percussion, making it a perfect candidate for live singalongs.
The album closes with “Hearts for Eyes,” a sparse, piano-led confessional. It begins intimately before swelling into a crescendo of longing and admiration, only to retreat into silence, leaving listeners with a lingering sense of vulnerability.
“Rewarding”
The Coronas’ ability to marry heartfelt lyrics with polished, stadium-ready arrangements is evident throughout. Produced by long-time collaborator George Murphy, Thoughts and Observations balances moments of delicate intimacy with anthemic ambition. The contributions of their extended touring band—such as Lar Kaye’s intricate guitar work and Roisin O’s harmonious backing vocals—enhance the album’s emotional and sonic depth.
While some tracks, like “Singing Just for You (On Occasion),” feel more like growers than instant classics, the album remains a cohesive and rewarding listen. Its themes of love, loss, and self-reflection resonate universally, making it a compelling collection of songs that showcases The Coronas’ growth as artists.
With Thoughts and Observations, The Coronas reaffirm their place as one of Ireland’s finest musical exports. Perhaps this is the album that will finally propel them into the broader European and international consciousness. For now, it’s a reminder of their enduring appeal and their gift for crafting music that feels both personal and universal.
8/10